Tag Archive | Lilo & Stitch

2017’s D23 Expo – The Place to be for Disney Cosplay

Back when I attended my first D23 Expo in 2013, I was surprised by the amount of Disney-related cosplays that I saw. While there were the familiar mainstays like Snow White or Aladdin, I was very surprised to see cosplays of characters I probably would never see in other, non-Disney venues!

This year, I decided to do another blog post like I did in 2013, and chronicle over 30 different cosplays I took pictures of, during the three-day event. Like last time, I ended up taking a lot of pictures, so I had to whittle my choices down to the ones below.

And trust me, there were plenty of great ones to choose from!



One character I don’t often see much of, is Giselle from the live-action/animated feature, Enchanted. This cosplayer did a nice rendition of the dress she made from Robert Philip’s curtains.



Sometimes, people dress up as representations of things related to Disney, and that’s what this couple did! Taking their cues from Pixar Animation Studios, the girl’s dress is a representation of the famous Pixar ballwhile her partner is an interpretation of it’s famous hopping lamp, Luxo, Jr.



This year marked the 15th anniversary of the release of Lilo & Stitch. While I did see a lot of girls and women wearing Lilo’s red dress with white leaf imprints, I was very surprised to come across Mertle Edmonds. Mertle was the bossy little redhead in Lilo’s hula class, and like in the film, she had to flaunt some attitude when I took her picture.



“Abigail! Amelia! My two favorite gooses!”
I hadn’t seen The Aristocats in years, but upon seeing these two girls, Uncle Waldo’s declaration rang through my head, as I saw some nearby expo-goers, trying to figure out just who they were! It was fun to see that to simulate their webbed feet, they were wearing orange shoes!



“Name’s Hades, Lord of the Dead, hi how’ya doin?”
Some cosplays will make me just rush over to snap a picture, and seeing this guy from the back, was one of those times! He REALLY put a lot of effort into this, as that is actually a facial prosthetic he’s wearing! He’s also got spiked dentures, contact lenses covering his eyeballs, and he was even in ‘lifts’ to give him some extra height! He even wore gloves to give his fingers the spindly, ‘Scarfe’ look of the character!



One of the reasons I went to the expo this year, was to attend the events related to a recent DisneyXD series I watch: Star vs the Forces of Evil. While there were plenty of ‘ordinary’ cosplays of title characters Star Butterfly and Marco Diaz, this couple to me, beat them all! They were not only wearing the disguises Marco and Star wore to infiltrate St Olga’s Reform School for Wayward Princesses, but the girl portraying Star here, also hand-crafted the Flying Princess Pony Head figure her boyfriend was holding!



Many of us know Merlin from The Sword in the Stone wearing his blue robes, but how often do you see him in his 20th century vacation duds, that he wore while in Bermuda?



I saw a few people dressed up as Indiana Jones on the expo floor, but this was the first time I had seen an Indy, with Marion Ravenwood! It wasn’t enough that she made a version of Marion’s outfit from Cairo, but she was also wearing her medallion, AND carrying around that two-timing little monkey spy!



“Can you turn yourself into a fly?” I asked this guy, in my best Mickey Mouse voice.
“Are you sure you don’t want a, pink bunny?” he asked, smiling that I recognized him.
This fellow is dressed as Willie the Giant, from the Mickey and the Beanstalk short. And just like Willie in the short, he had a little Mickey in his hand, to pose with.



I’m always on the lookout for cosplays of my favorite modern-day Disney shorts, Paperman! This couple was one of several walking around the expo. Word was, the other had painted themselves grey to more closely resemble their animated counterparts.



I saw quite a few Edna Modes from The Incredibles, but this little woman captured her larger-than-life attitude perfectly!



Tron: Legacy has somewhat faded from most people’s minds, but it was neat to see Quorra and two of the Sirens from the film, off-the-grid.



I definitely didn’t expect to encounter Percival McLeach from The Rescuers Down Under, but it was an even bigger surprise to see his monitor lizard Joanna, trying to purloin a few of his eggs (again).



This Centaurette from Fantasia’s Pastoral Symphony, was part of a mother/daughter duo, that I saw outside the convention center. There was also a blue Centaurette who entered into the Mousequerade contest.



I saw a few Maui’s on the floor, but this one had the physique and facial features, to really sell that demigod look (plus, his hook lit up!). It was also humorous, that everyone who thanked him for a picture, was greeted with a “you’re welcome” from him!



Like an older woman I saw dressed as Mulan from the 2013 expo, these two are examples that you’re never too old to cosplay! It’s not often I see Anna, AND a snow-caked Christof from Frozen.



While I’ve seen plenty of Ariel’s roaming the floor, this was the first time I had seen her daughter Melody, from Little Mermaid 2. Her ‘tail’ is actually a skirt that she could raise and lower.



There were quite a number of ‘mash-ups’ regarding various properties and characters (I saw a Spider-Ariel at one point), but this was rather unique: a number of leading ladies, crossed over with the villains of their respective films!



I saw a few people cosplaying characters from 1995’s A Goofy Movie, but there was only one Powerline, who was walking the floor with a boombox, blasting the film’s soundtrack. He was accompanied by a girl dressed as Stacey, the character Roxanne’s best friend from the film.



The opening day of the Expo, had the most cosplayers there, due to the Mousequerade costume contest. When it was all said-and-done, these two girls, dressed as Te Fiti and Te Ka from Moana, were the big winners! Word is Te Ka’s volcano form was made from sculpted foam, and actual smoke emitted from it!



With the announcement of a new Kingdom Hearts game, there were plenty of Sora’s around, though this guy really captured the character (especially with his huge shoes, and spiked hair!).



Given that Gravity Falls creator Alex Hirsch was at the Expo on Friday, there were a number of GF cosplays to be seen that day. Before the day was up, I managed to snap this pick of Mabel, and “Grunkle” Stan Pines.



“DARLA!!!” Yes, the Australian dentist’s niece from Finding Nemo finally made an appearance at the Expo!  Poor Chuckles, though.



It often amazes me how beloved Tangled is by a number of fans, and I was surprised to see several of the thugs from The Snuggly Duckling. Here, we have Hook Hand, and Atilla (with his cupcakes)!


The evil Madam Medusa from The Rescuers, was seen on the floor taking Nero for a walk, with the Devil’s Eye Diamond in his mouth. “Brutus is at home,” she informed me, of her other pet crocodile.



This costume mash-up I almost passed by. This girl is playing a combination of Lilo and Rey (from The Force Awakens). What caught my eye, was her BB-8, that is actually made up as Lilo’s doll, Scrump!



“So, what’s the sitch?”
Hard to believe Kim Possible debuted on The Disney Channel 15 years ago! I also saw Shego walking around, but really…where’s Ron Stoppable!?



There were a number of people needing wheelchairs or scooters to get around, and this guy took his scooter, and decided to become Captain Jack Sparrow, steering his own Black Pearl around the expo floor!



No, it isn’t “Showgirl Gadget,” it’s Miss Kitty, who performed “Let Me Be Good To You” at the Rat Trap Pub, in The Great Mouse Detective.  Sadly, she was the only Great Mouse cosplay I saw, walking the expo floor.



Like the 2013 Expo, I saved my favorite cosplay for last, and this year, it was this woman, dressed up as Big Thunder Mountain Railroad, from the Disney Parks! What was even more impressive, is that the train on her dress worked, and could complete a full trip all the way around her! Sadly, she didn’t win the Mousequerade contest’s big prize, but she did win for the “Inspired by Disney” sub-category! 


And those were 30 of the many cosplays I saw at this year’s D23 Expo!  There were plenty of other amazing ones, such as a male version of Aurora from Sleeping Beauty, with a pink/blue splattered dress suit, Tinkerbell as a Rebel pilot from Star Wars, and even Vanellope Von Schweetz in her candy kart (that had to be specially taken through the security area!). There was even a woman dressed up as the pub thug Shorty from Tangledin his “cupid” getup.

If any of you readers are the cosplayers I snapped pics of, please leave a comment! Any tidbits about making your costumes, or stories about their creation, are always welcome!


An Animated Dissection: Remembering ‘Lilo & Stitch’ 10 years later

To most of our modern media, Disney‘s second ‘Golden Age’ of animation seemed to end with Tarzan in 1999. Almost every article I’ve read that mentions Disney animation in some form or another seems to assume that nothing good came from Disney‘s feature animation division until almost a decade later. Pity that they often gloss over a film that seemed to do pretty well in the summer of 2002 (then again, the media tends to focus on how much money you make, not the integrity of your character).

Conceived of by story artist Chris Sanders, the original concept for Lilo & Stitch was that of a strange alien creature lost in a forest. After more story work, the lost alien creature soon became a fugitive alien experiment (codenamed “Experiment 626”).

There was a feel of rude-n-crude humor to Stitch, but what managed to keep the film from falling into just being mediocre, was the story of Lilo (Daveigh Chase), a little girl whose imagination makes it hard for her to fit in, as well as get along well with her older sister, Nani (Tia Carrere).

In a way, both Lilo and Stitch’s abrasive tendencies allowed them to learn from each other, and provided one of the most unconventional films to come from Walt Disney Feature Animation in quite some time.

Production-wise, making the film was different in a number of ways:

1) It was only the second film to be produced entirely at Walt Disney Feature Animation in Orlando, FL (the only other animated film to be made there was Mulan).

2) Aside from an orchestrated score composed by Alan Silvestri (composer of Back to the Future), the majority of the music used were songs that were sung by Elvis Presley.

3) Background art for the production was painted entirely in watercolors.

It appears that Nani is a fan of one of the Florida Animation Studios’ productions, as seen by the poster behind her.

Much like Atlantis: The Lost Empire had relied on artistic inspiration from Hellboy creator Mike Mignola, Sanders’ unique stylings would be all over his production. Straight lines in the production were largely done away with, and almost everything was given an expanded or rounded look to it (which definitely contrasted with the very angular designs of Atlantis as well).

The idea behind the production of the film, was making something on a smaller budget, but still retaining the heart of the piece. For inspiration, the filmmakers would often look to Dumbo, which was a simple little story that was also made on a much smaller budget than other films the studio had produced at the time.

This feeling to make a film in the spirit of the first Golden Age of animated features (1938-1942) also carried over into a small scene in the film. One of the first things that Stitch becomes interested in is a book showing the story of The Ugly Duckling. This was one of the last Silly Symphonies that The Walt Disney Studios produced in the late 1930’s, and I often cite it for its ability to be very emotional. There’s one scene that I recall seeing in the theaters, that noone ever really noticed as an ‘homage’ to that animated short.

Here’s a comparison shot showing the homage that the filmmakers made to a scene in “The Ugly Duckling (1938).” There’s a beautiful use of light and shadow, as well as framing the scene to guide the eye of the viewer to our main character.
Also noteworthy, is that each scene has an angled shaft of light coming from the right side of the frame.

To direct our attention to the film’s upcoming release, the marketing department soon attempted a campaign that was unlike anything we had seen before. Instead of giving us outright clips of the film, 3/4 of the movie trailers consisted of the alien Stitch invading some of the most heartfelt moments we recalled from the Disney classics of the early 1990’s.

A scene from the first teaser trailer, showing Stitch ruining “Beauty and the Beast’s” romantic ballroom dance. This teaser also served as a surprise, because at the same time, Disney was running trailers for the release of “Beauty and the Beast” in IMAX.

Marketing made Stitch out to be the black sheep of the Disney character stable. He was the rebel, the anti-Mickey if you will. Even though he was engineered to destroy, a lot of people loved Stitch’s round, cuddly shape. It could tie into how we respond to various shapes. One study I remember reading said that babies tended to seem more comfortable with rounded, natural shapes than angular ones. This could also explain why so many people love Mickey Mouse: he’s largely made up of circles.

In the end, Stitch didn’t make gobs of money, but it was one of the most well-received animated feature from Disney, and it commanded a decent $145 million gross in the US alone. What I remember most about the film’s opening weekend, was a sight I’ve never witnessed since regarding a Disney theatrical release. At the time, I was working at a movie theater, and was surprised to see that the 10pm showing for the film was sold out! I snuck in to check out the crowd, and it wasn’t families…it was teenagers and 20-somethings that made up a good 90% of the audience!! Such a thing would become commonplace with many of Pixar’s films, but this was a rare occurrence.

Unknown to alot of people, a couple major changes were made to the story during its final year in production.

One of them was made after a test audience’s reaction to the scene where Jumba chases Stitch into Lilo and Nani’s home, and proceeds to fight him inside.

The original piece was a lot more violent, and at one point, the chainsaw Stitch finds gets out of his hands, and chases Lilo around the kitchen. At the end, the destruction of the home was more intentional as Stitch and Jumba’s fighting escalates. Stitch pulls out the stove, and turns up the gas, which soon turns into a ‘do you have the guts to do it’ moment between the two, resulting in Jumba pulling the trigger and destroying the home. This definitely was a bit more menacing than the final product, which became a comical game of ‘hot potato,’ with a jammed blaster.

Another change was the slamming on the brakes of an action set-piece in the wake of the events of 9/11. Originally, to get Lilo back from Captain Gantu, Jumba, Pleakley, Stitch, and Nani hijack an airplane, including flying it through a commercial district on the island.

This was a key sequence in the film, and much of the scene had already been animated and finalized.

(Top): Part of the original rescue scene.
(Bottom): The same scene in the film, re-worked after the events of 9/11.

The solution? Restructure the 747 so that it looked like an alien spaceship (after all, Jumba and Pleakley had to get to Earth somehow!), and change the commercial district to a mountainous canyon area.

The eventual DVD release of the film before Christmas satiated the public’s need to have a little piece of the adventure in their own homes, but many animation fans and myself were a little upset. Why? Well, the American release was a single-disc that gave us very little…whereas foreign releases to some countries contained everything from audio commentary, a documentary on the making of the film, and even numerous deleted scenes (such as the original house attack and the rescue by 747).

Eventually, our patience paid off as in the Spring of 2009, the 2-disc edition finally made it to our shelves, and I was sure to get it. If you love the film but don’t have the 2-disc set yet, get it! Or, maybe hold off as I’m sure some time in the next few years, we’ll get it on Blu-Ray.

Lilo & Stitch is one of those films that many of us recall before the resurgence of the dark times at Walt Disney Studios. That fall, Treasure Planet’s low-grosses in the wake of its exorbitant price tag would begin the eventual demise of hand-drawn animation at the studio, and leading to the eventual closure of numerous satellite studios the company had around the world (including the Feature Animation branch in Orlando). Chris Sanders stayed with Disney through the dark times, but when his concepts for the production American Dog (which later became Bolt) were not met favorably, he exited the studio and headed to Dreamworks. What did he do there? Oh, just a little film called How to Train Your Dragon (along with his Stitch co-director Dean DeBlois).

Aside from films made by Pixar Animation Studios, almost nothing that came out after Stitch quite captured the charm and emotions that permeated from that film. Lilo was not your conventional princess or ordinary little girl (she had issues, and at one point even lashed out at a girl who made fun of her), and doing things a little different is a way to make people remember you. Stitch could have just been an E.T. rip-off, but he was a weapon that soon learned there could be more to who you are…that you can change, and find a way to belong.

Some of you may be wondering why I haven’t mentioned the television series, or the direct-to-video releases. Well, I’m one of those people that cuts off where the main creator(s) walked away. I’m the guy who will acknowledge Terminators 1 & 2, but nothing that came afterwards.

Lilo & Stitch also makes me fondly recall the summer of 2002, when I was entering my final year of studying animation, with our Team Animation class looming on the horizon, and my eager young attitude anticipating what was to come down the road, both in life, and in animation.

The one scene in the film where I laughed louder than anyone else in the theater.