Episode Review: The Mandalorian (Season 2, Episode 6) – The Tragedy
We’ve now reached the 75% mark for Season 2 of The Mandalorian, and the episodes have tended to bounce back-and-forth between great and good. With the last several episodes delving into The Clone Wars series, the latest episode catches up on a real blast from the past.
After their encounter with Ahsoka Tano (Rosario Dawson), The Mandalorian (Pedro Pascal) and Grogu (formerly known as The Child) head to Tython, where there exists a place that can possibly help them contact other Jedi who might help them give Grogu safe haven.
Shortly after touching down, things don’t go as planned when Mando finds himself facing off against stormtroopers, a foe he once thought dead, and a bounty hunter with a familiar ship.
Following last week’s events, the opening moments show some further understanding between Mando and Grogu, though it is soon after this that their latest adventure becomes like a video game level. Ever play video games where you have to keep the enemy from advancing on a specific target? This is the episode-equivalent of that very game level!
One thing I was largely on the fence about as soon as it was announced, was hearing that Temuera Morrison (who played Jango Fett in Attack of the Clones) would be appearing as Boba Fett this season. I’ve long been of the thought that while he looked cool, Boba had served his purpose and perished in Return of the Jedi. However, the reappearance of his armor and the final shot of the Season 2 premiere episode The Marshal, piqued my interest.
For this episode, Jon Favreau manages to write Boba as being much more interesting than just the cool-looking guy standing around in the original trilogy (even giving Boba a small callback to his father). We can believe Fett knows his way around blasters and jetpacks, but going into action without these things was most unexpected. A highlight was seeing Morrison wield a gaderffii stick like a Maori warrior, causing me to get drawn into the character for the first time watching him onscreen.
We also get the return of Fennec Shand (Ming-Na Wen), whom we last saw on Tatooine in the first season. Much like that appearance however, she’s mainly just along for the ride, making me wonder if the show is just saving her for a much more interesting bit later on (maybe she’ll get her “moment” like IG-11 in the first season?).
When it comes to the arrival of the stormtroopers (coming in some pre-Episode VII troop-transports), this is where the video game-style feelings of the episode begin. Pretty soon, the standard white of the trooper armor gives way to several different varieties, making it feel like a group of online players are mounting an assault on the show. There’s even the appearance of some troopers that play into what was shown at the end of the last episode, making me develop some ideas regarding what the villainous Moff Gideon (Giancarlo Esposito) wants Grogu for.
The episode is short on revelations, and feels moreso like the kind of action-oriented fare we saw in The Siege. Director Robert Rodriguez (known for his El Mariachi trilogy) never keeps the action from getting dull, and there are some moments that really pushed my buttons emotionally (including one that made me sense a great disturbance in The Force). There are a few times where I did question some things he made Mando do that were somewhat repetitive. It might have been meant to make it seem humorous with each attempt he made, but it felt like it was merely a way to stretch the run-time out a little (this episode clocks in at just 33 minutes, the shortest chapter of the season so far).
The results of The Tragedy, feels like we are entering the Empire Strikes Back portion of Season 2. not that the first 5 episodes weren’t hard on Mando in their own right, but this episode ends in probably one of the most tense cliffhangers yet. It isn’t on the same high shelf that I place Season 2 episodes The Marshal and The Jedi, but it manages to make due with what it has to offer. I do hope that with the final episodes, we get a return to stories that have been longer than most of what we’ve encountered this season.
Final Grade: B