Growing up in the 1990’s, I still remember when NBC ruled Thursday nights, with their Must-See-TV lineup.
Thanks to the involvement of Jurassic Park alumni Michael Crichton and Steven Spielberg, I soon had another show to watch along with Seinfeld and Frasier, when E.R. debuted in 1995.
Like millions across the country, I was soon deeply engrossed in the interconnected lives of the staff of County General Hospital, in Chicago, Illinois. The constantly-roving cameras, along with the hyper-kinetic scenes when the doctors would have to contend with emergency situations, soon had me sucked in.
All these years later, there’s been a few episodes that I can still recall parts of from memory. One of them came out twenty years ago this week, and I thought it fitting to do a Retro Recap on it.
As the episode starts, we find John Carter (Noah Wyle) and several of the E.R. staff, working on a little girl named Corinna Nelson (Nicolette Little). While her father Sawyer (John Thaddeus) only has a gash on his forehead from the vehicular accident they were involved in, Corinna has a ruptured spleen. Med student Lucy Knight (Kellie Martin) takes Sawyer to be stitched up, before returning to Corinna.
Doctors Mark Greene (Anthony Edwards) and Peter Benton (Eriq LaSalle) soon enter the room to examine the little girl, when her eyes close and her blood pressure spikes! A blood transfusion has been set up, but her body does not seem to be taking it. Lucy is sent to ask Sawyer if his daughter has any special conditions, but upon checking on him, she finds he has disappeared.
Sawyer had given Lucy some information, including the phone number for Corinna’s mother. Upon calling her, Lucy is given some shocking news: Sawyer’s name is actually Keith, and he kidnapped his daughter a few weeks prior!
Things don’t get better when they find out that Corinna has a very uncommon blood type, and the blood draw taken from Keith after the accident, confirms a match with his daughter. Carter inquires to the nearest blood banks, but finds nothing. Meanwhile, Lucy’s shift ends, and she attempts to follow the street address Keith gave her, even though Carter feels he just gave her false information.
Carter is soon relieved by Dr Greene, and takes off with a woman he knows named Roxanne Please (Julie Bowen). However, he also is informed by a member of the Chicago Police Department, that they found Keith’s totaled car came from a dealership in the Chicagoland area.
Carter attempts to spend the afternoon with Roxanne, but his mind is still on Corinna, and he heads off for the dealership, hoping to find information on Keith. There he finds out that Keith is a bookie, and the salesman tells Carter to check with a Bellhop at the Delaware Hotel downtown for more information.
Carter does so, and is surprised to find that Lucy is already there. The address Keith gave her was a former place he lived, and some locals in the area directed her to the hotel. A bellhop tells them that a guy named Toby knows Keith, and recommends they check out a meat-packing plant.
Back at the hospital, Corinna’s mother has arrived, but her daughter’s condition has worsened. With the lack of blood (her mother’s blood type does not match), her kidneys are in danger of shutting down.
It is then that Dr Kerry Weaver (Laura Innes) gives the team some hope. The rare donor program has found some frozen units of Corinna’s blood type in Nashville. The blood is soon on the way, and Corinna is prepped for surgery for her ruptured spleen.
Meanwhile, Carter and Lucy have gone from the meat-packing plant, to a dilapidated neighborhood looking for Toby. Lucy manages to find a relation who says he may be at a market nearby. However, as she glances up at the nearby El train platform, she sees Keith on it!
Carter quickly rushes across the street and jumps the turnstile. Unfortunately, he is accosted for not paying the fare, and he watches as the train leaves with Keith on it. Carter and Lucy then find Toby, who claims he doesn’t have Keith’s contact information, but suggests talking to a guy named Uncle Joey at Soldier Field.
Back at County General, the blood has been received, but there’s bad news. Several small holes have been found in the bag, which could mean the contents may have been exposed to bacteria. This leads to Dr Benton and the others to performing a “blood-less surgery,” attempting to repair the girl’s spleen, while trying to keep her from losing what little blood she has left.
Taking Uncle Joey’s advice, Carter and Lucy head to another address on the south side of Chicago. As they wander around some dilapidated buildings, they both begin to question each other’s motives in looking for Keith. Carter claims he went looking because he wanted to help. Lucy on the other hand, feels responsible since Keith walked away when her back was turned (which Carter had berated her for earlier).
“I shouldn’t have made you feel that way,” admits Carter. “Truth is, you’re the only med student I had that showed any promise.”
Things don’t get better when Carter ends up taking a fall, and dislocating his shoulder. The two decide to leave, but find that someone has torched Carter’s Jeep!
They then take off on foot, and soon come to a payphone. Lucy decides to call Toby back to see if he can provide more information, but Carter feels that they’ve reached a dead-end.
Surprisingly, Toby comes through, and provides them with an address that leads them to a small wooden shack along some train tracks. They find evidence that Keith and Corinna had been living in the shack, along with a phone message.
Playing back the message, they hear Keith’s voice telling someone named Inga that he’s across the street, and to check on Corinna at the hospital.
This sends Lucy and Carter headed back to the hospital to look for Inga, when Lucy thinks of Keith saying the words, “across the street.”
The two end up rushing into a restaurant called Doc Magoo’s across from County General, and sure enough…Keith is there!
Keith is quickly rushed over to the hospital, where Lucy draws his blood. He’s then wheeled into the room with his daughter and ex-wife, but it is then that Dr Greene explains Corinna’s condition. The spleen surgery came out successfully, but given how much time has elapsed since she first needed the blood transfusion, Corinna has slipped into a coma. She’s had multiple seizures, and her kidneys have shut down.
“But his blood will make her better, right?” asks Corinna’s Mom.
“A lot of damage has been done,” says Dr Green, quietly.
After getting his arm in a sling, Carter goes up on the roof, and finds Lucy there. While they were able to get Corinna the blood she needed, Lucy is upset that they couldn’t have saved her from her current condition.
“Some patients get to you more than others,” says Carter, sitting down next to her. “I know. But when you do everything that you can…sometimes, even more than you though you could, you got to walk away knowing you fought the good fight. You fought the good fight, Lucy. Tomorrow, you’ll fight another one.”
When it came to E.R., the general format for an episode, usually involved weaving multiple stories together like a hospital-based soap opera. Sometimes however, the show writers would give their multiple plot-threads a break, and focus on a singular event like this one.
In the E.R., the fight to save Corinna ends up being an event that touches almost every regular character on the show (even George Clooney’s Dr Doug Ross shows up for a few minutes). However, it feels almost like the secondary story arc, with the main focus being on John Carter and Lucy Knight’s quest to find Corinna’s father.
For the show’s fifth season, Lucy Knight was a newcomer to the hospital staff: a third-year medical student, but one that had some difficulty asking questions and getting a handle on certain elements. This led to a series of mishaps that soon ended up with her and John Carter at odds with each other.
With this episode, we both got to see each of them being strong-willed and caring people, who just want to help. The storyline isn’t too different from those we’ve seen before, where two characters who don’t get along, are forced to find common ground to achieve a goal.
The episode also had the two sharing some personal information about themselves. At one point when the topic turns to Keith “abandoning” his daughter, John and Lucy begin to divulge a bit about their own fathers. Carter admits that a father should stick around for his kids, only to find out from Lucy that her father wasn’t around when she was young.
The episode worked to bridge the communication gap between them, and going forward, the two ended up becoming a fan-favorite “pairing” that is still talked about to this day.
Looking back on the episode now, the storyline of the two looking for Keith Nelson seems a bit ridiculous. I doubt any medical drama today would use such a storytelling device, but the concept of doing whatever it takes to try and save someone definitely spoke to me. There’s even an added “emergency beat” when Carter comes across a woman in a housing complex, who is suffering from tuberculosis.
The final moment with John and Lucy taking a beat after their adventure, is still one of my favorite moments from the series. Carter’s speech about “fighting the good fight,” is one that I sometimes think about in my quieter moments.
Rated PG-13, for some sequences of fantasy action
After the release of Harry Potter and the Deathly Hallows, I was more than content to say goodbye to the world that J.K. Rowling had created, having enjoyed the grand adventure. Much like when George Lucas’ Star Wars Trilogy ended however, there were many that wanted to still play in the sandbox the author had created.
And so, Rowling revisited the Wizarding World, centering a new film series around the character of Newt Scamander (played by Eddie Redmayne). Newt’s adventures took place during the late 1920’s, and his first film showcased an adventure among witches and wizards in America.
In the Fantastic Beasts sequel, the action returns to Europe, as dark wizard Gellert Grindelwald (Johnny Depp) escapes confinement. At the insistence of Albus Dumbledore (played this time by Jude Law), Newt is asked to help in apprehending Grindelwald.
When it comes to sequels, many people eagerly anticipate seeing their favorite characters again. For this film, you do get Newt’s American friends returning (including Dan Fogler as Jacob Kowalski), but for the most part, the film doesn’t really seem to be about them.
Instead, we’re introduced to a large group of ancillary characters (including a few from the first film), and are given several mysteries to unravel. Unfortunately, the film just doesn’t give us enough time or development to care, as we’re throttled along from one new set-piece after another.
Unlike the first film, this one really seems to be trying hard to throw out little asides to those who are fans of the series. We get a few familiar name-drops, and if you’ve seen the trailers, a (brief) return to Hogwarts Castle.
I couldn’t help but wonder about the film’s writing process, given that this is Rowling’s second screenplay (after the first Beasts film). There are a number of times I couldn’t help but feel the screenplay could have benefited from some rewrites, to narrow the focus and make us care more about what was going on. At times, the film felt as overloaded with material, as Rowling’s fifth Harry Potter novel, The Order of the Phoenix.
Where the film does succeed, is in captivating us with even more magical creatures that Newt encounters. While fan-favorite Niffler is back, the film gives us some intriguing new animals, including a Chinese creature called a Zouwu. Sadly, the new menagerie isn’t enough to save the film.
This is going to sound like a major film-bash, but I can’t help but feel The Crimes of Grindelwald, could be this series’ The Last Jedi. I think a lot of people are going to go into this film with a certain set of expectations, and find they’ve wandered into a different film entirely.
By the looks of where the story is headed now, the Fantastic Beasts title seems almost like an afterthought. With three more films scheduled to follow, one wonders how much longer Newt’s life-long obsession with magical creatures will last on-screen, as he and his friends are pulled into a story that wants to be just as big as the one we saw in Rowling’s Harry Potter series?
Final Grade: C