Movie Review : Your Name (Kimi no na wa)
Rated PG for thematic elements, suggestive content, brief language, and smoking
As much as I may say a film’s story or it’s emotional aesthetic should be a litmus test for how good it is…sometimes, money does talk, and makes people like me take notice. Especially, if the films are animated, and not easily accessible within this country.
That was the case in 2001, when word came that Hayao Miyazaki’s Spirited Away, had become one of the most successful anime productions in Japan.
History seemed to repeat itself almost 15 years later when last year, word came of a new animated film, that was electrifying the Japanese box-office. Titled Your Name (or Kimi no na wa), it finally made it’s way to US shores this Spring, courtesy of Funimation Films.
After watching a brightly-colored comet streak through the heavens, we find ourselves focusing on two teenagers: Mitsuha Miyamizu (Moni Kamishiraishi), and Taki Tachibana (Ryunosuke Kamiki).
The two have never met, with Mitsuha living in a small village in Central Japan’s countryside, and Taki growing up amid the skyscrapers of Tokyo. However, over the course of several weeks, circumstances will bring them together, in the most unbelievable ways.
Writer/director Makoto Shinkai is quick to thrust us into a story where it soon becomes apparent, that we’ll need to use our brains, in order to decipher just what is going on in the lives of our two main leads.
It is notable how we also see a contrast in the lives of these two teenagers. While Taki is used to the big city, Mitsuha looks upon it with wonder, as she comes from a village where a dentist office or even a cafe are non-existent. Plus, we even see how the cost of living differs between them (a meal in a Tokyo cafe, costs as much as she could spend on a month’s worth of food in her village!).
The filmmakers also attempt to add in some risque humor in a few instances. While they don’t turn the film into an overtly-sexual teen romp, a recurring joke in regards to Mitsuha, feels like they should have stopped after the first few times.
There are also some nice little instances of ‘body language’ added to the animation, and some minor storypoints in regards to pronunciation of certain words. I will admit, this kind of stuff might go over better with the original Japanese viewers (I can only wonder how the little verbal differences were handled in the English dub, as I preferred seeing the film with it’s original Japanese dialogue).
The film also dabbles in thoughts regarding the spiritual realm, as well as the world of dreams. The concept of ‘memory,’ also becomes an underlying layer as the film progresses as well.
A number of people online, have also compared this film to some of the works of Hayao Miyazaki. However, I think such comparisons are mainly in regards to the rendered environments we see throughout the film.
Make no mistake: the imagery in this film has the kind of detail that, like in a Ghibli film, you’ll want to fall into and just immerse yourself in.
Though Shinkai based the film’s screenplay off of his originally-published story, I am curious as to the embellishments he may have made. Unfortunately for the flow of the film, it feels like he tends to overdo the use of visuals in a few areas.
Most striking to me, is how he gives the film an intro, almost reminiscent of the manic types of openings one would normally find in an anime television series. It shows us our main characters, before their more ‘looser’ introduction within the story of the film, when we could get a better chance to start getting to know them.
Plus, we get a small music video-style montage 1/4 of the way through the film. I will admit to getting caught up in the catchy music of the soundtrack’s band Radwimps (yes, you read that right), but it feels like this bit seems to stop the film cold for a few minutes.
Of course, most surprising was that almost halfway through the film, one assumes it will zig in a usual manner, but instead, zags in a most surprising way.
There are also a few areas, where we are given a lot of information, but it almost becomes a bit too much. Some scenes felt like a muddled sensory overload of information, when a less-is-more approach probably could have made them ‘read’ as more emotional.
As I watched the film, I found myself sitting upright in rapt attention for some parts, but most surprisingly, the emotional resonance of some scenes, just wasn’t sucking me in. I think this is one of the director’s faults when it comes to the execution of the film: at times, it feels a bit too ‘clinical,’ in trying to be ’emotional.’
While some are apt to think of references to Studio Ghibli, Your Name’s tone and atmosphere, reminded me a bit of the works of author Haruki Murakami, as well as an anime titled, The Girl Who Leapt Through Time. There’s also a South Korean film from 2000 that I’d throw in as a reference too, but if I did, I might release a major spoiler.
Final Grade: B (Final Summary: “Your Name” gives us a science fiction/romance/comedy, that manages to do it’s own thing, and takes it’s storytelling to places that are not as pedestrian as most animated teenage love stories. However, it feels like writer/director Makoto Shinkai could have tightened up his story in certain places. Some of his uses for visuals gets a bit too over-the-top in places, and a few gags that may have been funny in a smaller dose, are milked a bit too long in other places. However, some character-building scenes and the film’s stunning imagery, will probably overwhelm even the most jaded of audience members.)